My passion for libraries, good writing, great storytelling and history all come together in Susan Orlean’s “The Library Book”. The Library Book tells the story of the Los Angeles Public Library, beginning in 1986, when the main branch burned to the ground, back to the establishment of the Los Angeles Public Library in 1844, then forward through the current day.
The book starts with the story of Harry Peak, who was briefly accused of having set the fire that caused the downtown and main branch of the Los Angeles Public Library to burn down, “destroying almost half a million books and damaging seven hundred thousand more. It was … the single biggest library fire in the history of the United States.” Harry’s story is interspersed throughout the book, as are the efforts to repair and preserve some of the damaged books.
More than anything, however, The Library Book is a great synopsis of the ever changing role of libraries, focusing on the history of libraries and of the Los Angeles library system and detailing operations, leadership changes, financial challenges and community needs. Susan Orlean’s descriptions of our needs for libraries, and the constructive and life changing impact of libraries, is beautifully articulated in a way I can feel but have not been able to express, acknowledging the library’s role as a mirror of our communities. “Every problem that society has, the library has too, because the boundary between society and the library is porous; nothing good is kept out of the library and nothing bad.” This truism is exactly the reason why libraries strive to expand programs to improve the lives of others while staying true to the mission of reading, lifelong learning and civic engagement.
Susan Orlean details the roles that libraries play in helping patrons learn computer skills, deal with challenges of homelessness, address needs of teens and children, assist with job and social service needs and provide meaningful access to books and other materials. The book describes the historic sexism and misogyny faced by women initially entering the profession, and the changing face of the librarian and the role of the librarian. “There is…a sense that being a librarian is an opportunity to be a social activist championing free speech and immigrant rights and homelessness concerns while working within the Dewey Decimal System.” She also notes libraries’ never ending need for financial resources.
Susan Orlean is spot on when she observes that “All the things that are wrong in the world seem conquered by a library’s simple unspoken promise: Here is my story, please listen: here I am, please tell me your story.” This is exactly how I feel about libraries and if you read this book, which I truly hope you will, even in these dark times, maybe you will find cause for hope and renewal. And maybe you will pay your local library a visit. You can reserve this book at the Cuyahoga County Public Library by clicking here.
“The Dakota Winters” is a story of historical fame and privilege, told through the eyes of Anton Winter. Anton is the son of Buddy Winter, a famous talk show host who is attempting a comeback after having a breakdown on his own show and simply walking out. The Winter family lives in the famous Dakota, a cooperative apartment building in New York City, where parts of Rosemary’s Baby was filmed.
“Gone So Long” tells the story of a family, mainly Susan and her grandmother Lois, dealing with the lifelong impact of the murder of Susan’s mother/Lois’s daughter—Linda Dubie Ahearn. Linda was murdered by her own husband, Daniel Ahearn, in front of their then three year old daughter, Susan. Daniel served 15 years in prison for his crime.
“Transcription” is a very enjoyable novel about spies and counter spies in England during World War II. The story is full of surprises.
“A lot of worlds have existed that you can’t look up online or in any book, even as you think you have the freedom to find things out…And if someone did remember [certain people]…that person’s account would make them less real, because my memory of them would have to be corrected by facts, which are never considerate of what makes an impression…”
“Home Fire” is a 21st century tragedy. The novel speaks to the unintended consequences of intolerance, isolation, extremism, radicalization and bigotry. Many months ago I reviewed the memoir “They Told Me to Come Alone.” Home Fire seems to me to be the fictional companion to Souad Mekhennet’s memoir.
Clock Dance is the story of Willa and her clock dance through life. Willa first learns the concept of clock dance when she is 61 years old. But that part of the story comes later in this review. The novel is broken down into life stages.
“In 1945 our parents went away and left us in the care of two men who may have been criminals.” Warlight is a story of intrigue during World War II. The narrator of the story (Nathaniel) is 14 years old when his parents announce that they are leaving for a year to go to Singapore for his father’s job at Unilever. The narrator’s sister, Rachel, is 16 at the time.
Hisham Matar, an American born British-Libyan author, is an acclaimed novelist and essayist. The Return—Fathers, Sons and the Land in Between, is a memoir about his 2012 return to Libya and attempt to come to terms with the unfathomable loss of his father, Jaballa Matar.
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